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POST-TRAUMATIC GROWTH: Improving i's sense of wellbeing using photography, painting, storytelling, blogging, and motivational speaking – my expressive arts journey written by ©Karen Robinson

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No. 6 The 2016 Melbourne Spoken Discussion Prize Issue held at 75 on Reid Street, Fitzroy North.  A lonely 'Open Mic' stands patiently waiting for its 30 poets to brainstorm reading and performing their poems.  Photographed past Karen Robinson  NB:  All images are protected past copyright laws.

INTRODUCTION

Recently, I had the good fortune to be drawn as a 2016 Melbourne Spoken Word Prize 'wildcard' poet.  This meant that I was able to read i of my poems along with 29 other Melbourne poets showcasing their poetry at Melbourne Spoken Word Prize (MSW) end of year contest gala event held at 75 on Reid, Fitzroy North. Poets were shortlisted past gig conveners effectually Melbourne, with wildcard spots. Each poet was limited to one poem each with a performance limit of 3 minutes, and no props or costumes allowed. Five judges from the spoken word scene:  Michael Reynolds (Passionate Tongues), Libby Charlton (Dan Poets), Michelle Dabrowski (Slamalamadingdong), Amanda Anastasi (La Mama Poetica) and Ebony MonCrief (Voices in the Cranium) selected the all-time performance on the night based on a combination of writing and performance (MSW 2016).  The effect was hosted by Anthony O'Sullivan and Benjamin Solah is the founder and Director of MSW.

No. 9 The 2016 Melbourne Spoken Word Prize Event held at 75 on Reid Street, Fitzroy North – Hosted by Anthony O'Sullivan of MSW.  Photographed by Karen Robinson – NB:  All images are protected by copyright laws.

No. 1 The 2016 Melbourne Spoken Word Prize Event held at 75 on Reid Street, Fitzroy North – Photographed by Karen Robinson

No. iv The 2016 Melbourne Spoken Word Prize Upshot held at 75 on Reid Street, Fitzroy Northward – Photographed by Karen Robinson

No. ii The 2016 Melbourne Spoken Word Prize Event held at 75 on Reid Street, Fitzroy North – Photographed by Karen Robinson

THE WINNER OF THE 2016 MELBOURNE SPOKEN Give-and-take PRIZE – Kylie Supski

"The winner of The 2016 Melbourne Spoken Word Prize, Kylie Supski performing 'Graffiti Walls' at 75 on Reid, Northward Fitzroy on Dec 2, 2016 (MSW 2016)".  Kylie was certainly a standout on the nighttime and well deserving of being the winner of this prize.  Below is what Melbourne Spoken Discussion had to say about Kylie and the YouTube features her performance on the night.

"Kylie Supski is a Shine-Australian poet and spoken word performer. Kylie's inspiration comes from her personal experiences, all aspects of her life, and the people she is surrounded by. Kylie is profoundly concerned with using art as a method of speaking out about global economical and political inequality. She encourages her audiences towards disquisitional thinking, and to consider the weight of their own powers as citizens with specific regard to the inhumane policies backed by the Australian government controlled past less than 'The 1%'. Kylie however, enjoys a diverse repertoire and is passionate near exploring the beauty of existence alive (MSW 2016)."

As A WILDCARD POET READING MY PROSE POEM TILED 'A GOOD CONVERSATION'

It was an amazing opportunity to read my prose poem at the MSW event.  The Poet community was well represented within the audition, forth with family unit and friends offering support to all the poets that read.  I had decided earlier the event to just savor the experience, I was glad to be there and able to read, that was more than plenty for me on this dark!  My dear married man, using my mobile telephone kindly recorded my humble performance and is here below – NB:  Apologies for the poor audio.

— A Skillful Conversation —

♥

                              We talked about the-everyday-things,              a catch-upwards conversation,              mostly predictable,              between us, as female parent and daughter.                            So I asked her, "How is piece of work?"              She surprisingly revealed that things were not proficient.              Subsequently listening to her              for a while,              I realised that I had trivial to offer              in the manner of remedies or good advice,              even though as her female parent,              it should take been expected.                            There was a sadness  a feeling of helplessness within me              that said I cannot make this correct!                            She spoke of the challenges,              she spoke of the injustices,              she spoke of personal anguish,              she spoke of disappointment,              she spoke of sadness              and grief.              She just spoke.                            I was in that location to mind.              I was grateful              that, as her mother,              I was at that place,              able to listen.              I saw hurting on her face up,              heard it in her voice.                            I saw her relieved              that she could share              with me, knowing,              without request,              that I would be non-judgemental.              Information technology was a proficient conversation.                            While her problems, concerns, and feet              still remained,              I was able to offer a silent assurance              that no thing what,              I will be in that location,              that my dear for her, my daughter,              is truly unconditional.                            With this the pain slipped abroad              from her confront, her feet put to rest              for another time;              the injustices explored and antiseptic              so that they were now manageable,              and her challenges bandage aside              to exist revisited at another time.                            On this day, her issues              became smaller              as our time shared together              became bigger.  It was a good conversation;                            a precious time between united states of america  as mother and daughter.  – ο –                            Prose Poem © Karen Robinson - Nov 2016                          

Please click              here              to read more than about my Poetry & Prose - 2016 & 2015

CONCLUSION

Weast really enjoyed the evening!  A man came up to me afterwards and said "y'all made me want to band my female parent and I don't even go along with her".  Merely those words from this man made me retrieve "wow then good to recollect that by sharing can go people thinking most their lives" – fine art for therapy at it's best for sure!

Melbourne Spoken Word – Open up Mic Poetry

© Karen Robinson – Dec 2016

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39 David Hockney Current Exhibition at National Gallery Victoria, Melbourne, Australia – Nov 2016.  The gallery had provided a huge life-size photograph epitome applied to a wall, featuring David Hockney standing in his studio.  Visitors of the gallery were then able to stand beside the image of David Hockney and have their photo taken.  The security guard at the gallery kindly offered to take a photo of me with David Hockney's image which was very prissy of him.   Photographed by Security Guard at the National Gallery of Victoria.

INTRODUCTION

For our very last CAE 'Produce Paintings & Drawings' class, we were taken to the National Gallery of Victoria, Melbourne, Australia to see David Hockney'due south latest solo exhibition titled 'Electric current'.  He is arguably Britain'south greatest living artist and in his lxx-ninth year!  Despite Hockney's years, he nevertheless looks for new means to accept risks which are driven past his unending curiosity (NGV 2016).  Viewing this exhibition proved to be a wonderful experience which I enjoyed very much, and was grateful for existence given the opportunity to view.  The exhibition consisted of over 1200 works including paintings, digital drawings, photography and video works by David Hockney.

1 David Hockney Current Exhibition at National Gallery Victoria Nov 2016. Photographed past Karen Robinson

DAVID HOCKNEY REFLECTS ON THE EXHIBITION – CURRENT

The YouTube here below has David Hockey talking about this exhibition at the National Gallery of Victoria being the first testify that really exhibits the iPads and the iPhones work he had created.  He states that he got the 'brushes app' process working chop-chop and well; and how much he enjoys using these new pieces of technology to produce art work.  He besides talks about his creative processes used to produce this exhibition (NGV 2016).

DAVID HOCKNEY – SELECTED iPHONES AND iPAD DRAWINGS

Viewing David Hockney'due south 'selection of 104 drawings using an iPhone 2009 and iPad 2010-12, comprising all the same life, landscape and portrait works' (NGV 2016) was truly amazing, and for me – very enjoyable.  I loved seeing how these technologies produced a option of piece of work that was considered almost worthy of such a prestigious exhibition; and by such a famous, well established and masterful artist. And then good for up-and-coming tech savvy artists!

three David Hockney Current Exhibition at National Gallery Victoria Nov 2016.  iPhone & iPad drawings by David Hockney.  Photographed by Karen Robinson

6 David Hockney Electric current Exhibition at National Gallery Victoria Nov 2016 Photographed by Karen Robinson

12 David Hockney Current Exhibition at National Gallery Victoria Nov 2016.  iPhone and iPad drawings by David Hockney.  Photographed past Karen Robinson

7 David Hockney Current Exhibition at National Gallery Victoria November 2016.  iPhone and iPad drawings by David Hockney.  Photographed past Karen Robinson

eleven David Hockney Current Exhibition at National Gallery Victoria Nov, 2016. Photographed past Karen Robinson

9 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016. Photographed by Karen Robinson

10 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016. Photographed by Karen Robinson

eight David Hockney Electric current Exhibition at National Gallery Victoria November, 2016.. Photographed past Karen Robinson

5 David Hockney Current Exhibition at National Gallery Victoria Nov 2016 Photographed by Karen Robinson

4 David Hockney Current Exhibition at National Gallery Victoria November 2016 Photographed past Karen Robinson

BRYAN APPLEYARD INTERVIEWS DAVID HOCKNEY two YOUTUBE

David Hockney within the YouTube beneath (uploaded on Mar 11, 2011) – gives a minor sit-in using an iPad to create a digital drawing.  He talks about how 'the former will give way to the new' being new technologies such as the iPad which offers piece of cake processes to do editing and distributing of work past the user.

DAVID HOCKNEY INTERVIEW YOUTUBE:  I AM A Infinite FREAK

David Hockney here inside this YouTube below – talks about his experience photographing and painting the K Canyon, most the extensive processes he undertook to be able achieve the consequence he wanted.

DAVID HOCKNEY'S PAINTING 'BiGGER TREES NEAR WARTER'

Dgorging Hockney's massive oil painting titled 'Bigger trees about Warter' (as featured in the serial of photographs below) within this particular exhibition, is awe inspiring.  The spacial feeling you get when you walk in the room information technology inhabits, is surprising.  Cleverly – it has the viewer needing to scan the room to appreciate the whole work.  David Hockney talks about this spacial awareness in the YouTube to a higher place (NGV 2016).

thirteen David Hockney Current Exhibition at National Gallery Victoria Nov 2016.  David Hockney, English 1937, Bigger Trees almost Warter, oil on 50 canvases, 459.0 x 1225.0 cm (overall), presented by the artist 2008 (T12887) (NGV 2016).  Photographed by Karen Robinson

fourteen David Hockney Current Exhibition at National Gallery Victoria Nov 2016.  David Hockney, English language 1937, Bigger Trees well-nigh Warter, oil on 50 canvases, 459.0 x 1225.0 cm (overall), presented by the creative person 2008 (T12887) (NGV 2016).  Photographed by Karen Robinson

15 David Hockney Electric current Exhibition at National Gallery Victoria November 2016.  Shut-up view of David Hockney, English 1937, Bigger Trees near Warter, oil on l canvases, 459.0 x 1225.0 cm (overall), presented by the artist 2008 (T12887) (NGV 2016).  Photographed past Karen Robinson

16 David Hockney Current Exhibition at National Gallery Victoria Nov 2016.  Shut-up view of David Hockney, English language 1937, Bigger Copse about Water, oil on 50 canvases, 459.0 ten 1225.0 cm (overall), presented by the artist 2008 (T12887) (NGV 2016).  Photographed past Karen Robinson

DAVID HOCKNEY'S iPAD DRAWINGS

Below are photograph images of David Hockney's iPad drawings which is office of 'a consummate suite of drawings created by Hockney in Woldgate, East Yorkshire, UK, during the change of season 2011 and in Yosemite National Park, California, USA, 2011' (NGV 2016).

17 David Hockney Current Exhibition at National Gallery Victoria November 2016.  1 of a suite of drawings using an iPad en plein air in Woldgate, Eastward Yorkshire, UK, during the change of season 2011 'Arrival of Spring' (NGV 2016).  Photographed by Karen Robinson

xviii David Hockney Current Exhibition at National Gallery Victoria Nov 2016.  1 of a suite of drawings using an iPad en plein air in Woldgate, Due east Yorkshire, U.k., during the change of season 2011 'Arrival of Spring' (NGV 2016).  Photographed by Karen Robinson

19 David Hockney Current Exhibition at National Gallery Victoria November 2016.  1 of a suite of drawings using an iPad en plein air in Woldgate, East Yorkshire, U.k., during the modify of season 2011 'Inflow of Spring' (NGV 2016).  Photographed past Karen Robinson

twenty David Hockney Current Exhibition at National Gallery Victoria Nov 2016 Photographed by Karen Robinson

21 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  Three of a suite of drawings using an iPad en plein air in Woldgate, Due east Yorkshire, UK, during the modify of season 2011 'Arrival of spring' (NGV 2016).  Photographed by Karen Robinson

23 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  David Hockney, English language 1937 – The inflow of spring in Woldgate, East Yorkshire in 2011 (twenty 11) – 31 May, No. 1 (900) iPad drawing printed on 6 sheets of paper mounted on Dibond, 290.viii x 218.four cm (overall), Drove of the creative person David Hockney (NGV 2016). Photographed by Karen Robinson

22 David Hockney Electric current Exhibition at National Gallery Victoria Nov 2016.  On the right hand side of the epitome – David Hockney, English 1937 – The Arrival of Spring in Woldgate, E Yorkshire in 2011 (twenty 11), 19 May 2011, iPad drawings (looped), Hockney Pictures (NGV 2016).  Photographed by Karen Robinson

24 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  Far back wall to the left, David Hockney English 1937 – Yosemite 1, Oct 16th 2011 (1059) iPad drawing, Collection of the artist (NGV 2016).  Photographed by Karen Robinson

25 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  Part of a 'complete suite of drawings using an iPad en plein air in Yosemite National Park, California, USA, 2011' (NGV 2016).  Photographed by Karen Robinson

26 David Hockney Current Exhibition at National Gallery Victoria November, 2016.  Part of a 'consummate suite of drawings using an iPad en plein air in Yosemite National Park, California, USA, 2011' (NGV 2016).   Photographed past Karen Robinson

DAVID HOCKNEY:  'WHEN I Paint, I Feel I'K xxx'

David Hockney talks hither below about using digital photography, most manipulation of said, about the opportunities to recreate images, and about being able deliver to the viewer a different manner of looking at his works (Published on May 14, 2015 – Channel iii News).  Hockney talks about still existence very excited nearly pictures!

DAVID HOCKNEY – 4 Bluish STOOLS PHOTOGRAPHIC Drawing

Below features i of a choice of David Hockney's works 'four blue stools 2014' using 'multiple high-definition video cameras and still photography with digital compositing, to create new scenes with multiple perspectives and vanishing points 2011-15' (NGV 2016).  Over again, the spacial feeling y'all get when you walk in the room information technology inhabits, is surprising.  Cleverly – information technology has the viewer needing to browse the room to appreciate the whole work.  David Hockney talks about this spacial awareness in the YouTube in a higher place titled 'I Am a Space Freak" (NGV 2016).

27 David Hockney Current Exhibition at National Gallery Victoria November, 2016.  David Hockney, English 1937 – 4 blueish stools 2014, photographic cartoon (NGV 2016).  Photographed by Karen Robinson

28 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  David Hockney, English 1937 – iv blue stools 2014, photographic drawing (NGV 2016).  Photographed by Karen Robinson

29 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  David Hockney, English 1937 – 4 blueish stools 2014, photographic drawings (NGV 2016).  Photographed by Karen Robinson

31 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  David Hockney, English language 1937 – 4 blue stools 2014, photographic cartoon printed on newspaper, mounted on Dibond , edition 5 of 25, 170.3 x 175.9 cm (image), Collection David Hockney Foundation (NGV 2016).  Photographed past Karen Robinson

Below features another one of a pick of David Hockney's works using 'multiple high-definition video cameras and still photography with digital compositing, to create new scenes with multiple perspectives and vanishing points 2011-fifteen' (NGV 2016).

xxx David Hockney Current Exhibition at National Gallery Victoria November, 2016.  David Hockney, English 1937 – The Jugglers 2012, xviii digital videos synchronised and presented on 18 55-inch screens to comprise a single artwork, 22 min, 205.7 ten 728.0 cm (overall), Drove of the artist (NGV 2016).  Photographed past Karen Robinson

DAVID HOCKNEY – OTHER WORKS

32 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  David Hockney, English 1937 – The group Xi, 7-11 July 2014, acrylic on sail, 122.0 10 183. cm, Collection of the artist (NGV 2016).  Photographed by Karen Robinson

33 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  On the right paw side of this photograph – David Hockney English 1937 – A bigger card players 2015, photographic drawing printed on paper, mounted on aluminum, edition one of 12, 177.two x 177.2 cm, Drove of David Hockney Foundation (NGV 2016).  Photographed by Karen Robinson

DAVID HOCKNEY – PORTRAITS

David Hockney'south Exhibition 'Electric current' also features a 'complete serial of 82 portraits and one nevertheless life, a torso of acrylic on canvas paintings 2013-16' (NGV 2016).  These portraits take all been painted by David Hockney and depict those connected in some way with Hockney's daily life (NGV 2016).  Upon inbound the area of the exhibition housing these portraits, you lot cannot assistance simply call back about the spans of work he has achieve in such a small corporeality of time being between 2013 and 2016 – where does he get the free energy?

34 David Hockney Current Exhibition at National Gallery Victoria Nov, 2016.  David Hockney, the consummate serial 82 portraits and i withal life, a body of acrylic on canvas paintings 2013-16 (NGV 2016).  Photographed by Karen Robinson

35 David Hockney Current Exhibition at National Gallery Victoria Nov,2016.  David Hockney, the complete serial 82 portraits and i yet life, a body of acrylic on canvas paintings 2013-16 (NGV 2016).  Photographed past Karen Robinson

CONCLUSION

An amazing exhibition, an amazing living artist and an extraordinary life of a homo who has devoted much of his life to his passion, the creation and product of his art piece of work – David Hockney.  I loved it!

38 David Hockney Electric current Exhibition at National Gallery Victoria November, 2016.   The gallery had provided a huge life-size photograph epitome applied to a wall, featuring David Hockney standing in his studio.  Visitors of the gallery were then able to stand abreast the image of David Hockney and take their photo taken.  The security baby-sit at the gallery kindly offered to accept a photo of me with Hockney's image which was very overnice of him.   Photographed by Karen Robinson

© Karen Robinson – Nov 2016

While yous are here – please check out my habitation page!

Postal service-TRAUMATIC GROWTH: Using Art & Creative Writing as Therapy – My Journeying by Karen Robinson.

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